While Cambodia inaugurated the Phnom Penh War Memorial in 2023, in 1914 the first dispatches arriving in Phnom Penh from France requested that 4,500 Cambodians join the French war effort.

C'est à l'Exposition coloniale nationale de Marseille, en 1922, que se noue l'épisode le plus saisissant de la carrière de René Piot. Dans le pavillon de l'Indochine, sur le boulevard Michelet, une troupe de danseuses du ballet royal cambodgien se produit devant un public fasciné.

The Sosoro Museum publishes its Youth Activity Booklet in French — an illustrated, interactive guide that invites children to explore 2,000 years of Cambodia's economic and monetary history.

Stepping through the doors of the Raffles Grand Hotel d'Angkor is like entering a residence where cool marble, frangipani gardens, and Cambodia's golden light create a setting worthy of a Somerset Maugham novel. It is within these history-filled corridors that one of the most distinctive painters of contemporary Cambodia now resides: Nou Sary.

The Plantation Urban Resort & Spa is pleased to announce the exhibition of DinArt, a contemporary Cambodian artist, presented from May 31 to July 31, 2026 in its Phnom Penh setting. A meeting between hospitality excellence and the uniqueness of a body of work that reinvents a nation’s heritage.

Norng Chan Phal was one of four surviving children found within the grounds of the S-21 prison after the Khmer Rouge abandoned the capital in 1979. Mr. Chan Phal and the other children were hiding under a pile of clothes behind the prison and were discovered by Vietnamese soldiers.

In a high school in Sa-ang, Kandal province, dozens of students recently experienced an extraordinary learning activity. Gathered for an educational forum dedicated to the history of Democratic Kampuchea (1975–1979), they attended a screening of the documentary First Witness — a powerful film that gives voice to survivors of the Khmer Rouge regime. A rare initiative, but more necessary than ever.

Chaque année au Cambodge se tient le festival de Lok Ta Pring Ka-ek dans le village de Boeung aux alentours de Phnom Penh. Il s'agit...

Along the Mekong River and in the caves of Battambang, Franco-Cambodian archaeologists are uncovering traces of human occupation dating back 600,000 years. This is the story of an investigation deep into the past.

Le silence s’installe lentement dans la salle du Centre de documentation de Prey Veng. À l’extérieur, la vie suit son cours — le bruit lointain des motos, la chaleur dense de l’après-midi cambodgien — mais ici, le temps semble suspendu.

In September 1928, National Geographic published twenty-seven color photographs of a Cambodia almost unknown to the Western world. Signed by a French adventurer-photographer, a convert to Islam, companion of Pierre Loti, and pioneer of autochrome—these images resurface today with undiminished power. A dive into the lens of a forgotten visionary.

Three Cambodian actors walk the Croisette for the world premiere of an event film selected at ACID 2026. A historic moment for Khmer cinema.

At the turn of the 19th and 20th centuries, amid the turmoil of colonial conquests and the exploration of distant lands, a remarkable figure emerged, who was in turn a soldier, linguist, explorer and scholar: Étienne François Aymonier (1844-1929). A man of many talents, he was the first scientist to methodically survey the ruins and decipher the inscriptions of the ancient Khmer kingdom—now Cambodia, Thailand, Laos and southern Vietnam—and to study the little-known Cham civil

There are works that do not seek to convince. They impose themselves otherwise — through their density, their silence, the way they seem to hold back something essential on the verge of escaping. Luna Kol's canvases belong to this rare category.

Meeting with Thanet Thorn, producer at Tiny Films, on the sidelines of the CIFF 360 professional forum in Kep. Between clear-eyed awareness of the fragility of an emerging industry and an unwavering belief in the power of Khmer storytelling.

From May 21 to August 8, 2025, SNA Arts Management in Phnom Penh hosts Remembering, a poignant exhibition marking the first solo presentation of Cham artist Kaeu Sreypeou. Through a series of 18 acrylic paintings on canvas, the artist offers an intimate immersion into the collective memory and spiritual rituals of the Cham Muslim community in Cambodia.

With Beneath the Sea, presented in Kep as part of CIIF 360 and Art for Kep, director Vinay Bharadwaj delivers a film that is both aesthetic and committed, conceived to celebrate the beauty of the coastline while raising awareness about the fragility of the marine world.

Actress, producer, activist — meeting with an essential voice of Cambodian cinema: Sarita Reth. A familiar face on Khmer screens, she today embodies a new generation of professionals who no longer content themselves with playing the game, but intend to rewrite the rules. In front of the camera as much as behind it, on stage as much as in industry forums, Sarita carries a rare demand: that of a Cambodian cinema finally structured, fair, and recognized at its true value on the

Reunited within the CIFF 360 at the Knai Bang Chatt hotel in Kep, more than thirty professionals from Cambodian cinema spoke frankly about the structures to build, the rights to win, and the stories to invent.

Scénariste, réalisatrice, proScreenwriter, director, producer — this Cambodian filmmaker has been weaving a singular body of work for nearly twenty years, between metaphorical silences and hard-won freedoms. Portrait of a voice that matters.

Nearly a hundred guests gathered at Knai Bang Chatt to celebrate the launch of the CIFF 360 film festival, with a screening of the emblematic La Joie de Vivre by King Norodom Sihanouk, which set the perfect tone for the evening.

Photographer based in Phnom Penh for more than ten years, Antoine Raab presented last night a slideshow of his portraits made for the Cambodia International Film Festival on the occasion of CIFF 360, the festival’s decentralized edition which is setting up for the second time in Kep. Portrait of an artist who navigates lucidly through a sector in deep transformation.

Cédric Eloy, director of the Cambodia International Film Festival, has made it his mission to take cinema beyond Phnom Penh's air-conditioned screening rooms and bring it to places where stories hit differently. We met him in Kep, by the sea, for the second edition of CIFF 360.

Thursday afternoon, around fifty spectators gathered at Kep West, in the premises of the former Sailin Club, as part of CIFF 360 for a rare and precious screening: The Time to Cry (Pel Del Trov Zum), directed by Uong Kan Thouk, one of the pioneering figures of Cambodian cinema in the 1970s.