At the beginning of the 20th century, Pierre Loti's travelogue ‘Un pèlerin d'Angkor’ (A Pilgrim at Angkor) played a major role in the French imagination, offering a poetic and melancholic immersion into the mystery of the ruins of Angkor.

On 7 August 2025, a conference organised by the Asia Society Policy Institute in New York brought together renowned experts to analyse the recent violent escalation of the border conflict between Thailand and Cambodia, as well as its broader regional implications

After Three Other Trois autres Thaïlande and Trois autres Malaisie, this third and final volume of the trilogy offers a new insight into contemporary Southeast Asia. Three Other Cambodia, edited by Teri Shaffer Yamada, stands out for its approach, which eschews easy exoticism in favour of powerful short stories where people take precedence over picturesque settings.

It all began in heavy silence, broken only by the sound of footsteps in the mud and anxious whispers. After the initial distribution of food and an urgent assessment of needs in the two largest camps for internally displaced persons (IDPs), the Phare Ponleu Selpak team in Battambang decided that more was needed than just material aid.

The Cambodian film world mourns the loss of Citta Uong (also known as Uong Kanthouk), a pioneering filmmaker whose captivating and profound work marked the golden age of Cambodian cinema in the 1960s and 1970s.

Born in 1859 in the hamlet of Arbarella, on the rugged and proud island of Corsica, Jules Agostini grew up in fin-de-siècle France, with a vivid imagination for distant lands and the strangeness of other places.

By Major General Tith Viseth: Thailand is shooting itself in the foot by attacking Cambodia! Beyond hatred and anger, it is indeed for these reasons that the Thai army continues to provoke Cambodia at a time when an immediate and unconditional ceasefire has been declared by Malaysia.

The history of the Kingdom of Siam (now Thailand) is deeply linked to that of the Khmer Empire, both through a dynamic of military confrontation and through an extraordinary cultural and institutional heritage. Their shared evolution has helped shape the identity and geopolitics of the entire continental region of Southeast Asia.

At the end of the 19th century, a French merchant navy officer based in the port of Bordeaux wrote a rare and valuable account: a travel letter to Cambodia, then an independent kingdom under the absolute rule of a monarch described with striking frankness.

Driven by their passion for films and songs from the pre-Khmer Rouge period—cultural treasures of their Khmer heritage—Preah Sorya, a group of young people working to document this golden age, recently published the results of their project. The group has archived more than 5,000 songs, including a wide range of traditional Khmer music.

When I landed at Pochentong Airport on 25 July 1973, I was struck by the stifling heat and intense humidity. This oppressive heat was accompanied by a persistent, striking, indefinable and captivating smell. This fervent mixture revealed the many scents present on this continent. These fragrances, which can be detected no matter what country you are in, remain the same across borders. Invisible and subtle, they crept into my nostrils, penetrating me without my knowledge, and

The Extraordinary Chambers in the Courts of Cambodia (ECCC) and Meta House Phnom Penh are highlighting the courage and perseverance of journalists through an exceptional photographic exhibition dedicated to the brave souls who courageously documented the dark hours of the Cambodian wars of the 1960s and 1970s.

Defining a hero in a time of aggression: How do we define a hero? Must a hero be a soldier who is killed in war, an officer, or a leader of men? Must he be highly trained, educated, or even smart?

À quelques pas des trésors millénaires d’Angkor, le légendaire Raffles Grand Hotel d’Angkor dévoile une exposition inédite réunissant deux des plus grands noms de la scène picturale contemporaine cambodgienne. Intitulée « Harmonie », cette nouvelle ode artistique éclaire l’hôtel centenaire d’un souffle vibrant, plaçant la nature et la culture khmères au centre de la scène.

In the ongoing tense situation over the border dispute between Cambodia and Thailand, the Secretary General of the International Organisation of La Francophonie (OIF), Her Excellency Louise Mushikiwabo, has strongly reaffirmed the paramount importance of respect for international law. In a statement released on 30 July, she urged both countries to comply with the decisions handed down by the International Court of Justice (ICJ) in 1962 and 2013, key rulings that remain at the

At just 13 years old, Ange Labbé, a young Frenchman passionate about Khmer culture who has been living in Cambodia for several years, has just completed his first amateur short film, a touching and hopeful work entitled When Dance Becomes Peace.

As the border between Thailand and Cambodia has been in the global spotlight in recent days, one thing is clear to anyone following the international media coverage: the dominant narrative focuses on armed clashes, territorial rivalries and the plight of refugees, while ignoring the remarkable solidarity on the ground and the voices of those working for peace. Why are they being ignored? What logic does it serve?

For more than two decades, the Shinawatra family has been a major political and economic force in Thailand. Descended from the Chinese Hakka minority settled in Chiang Mai, the dynasty rose to prominence with the rise of telecommunications magnate Thaksin Shinawatra, who became Prime Minister in 2001.

The history of the peoples and kingdoms of Southeast Asia is a fascinating melting pot of migrations, cultural exchanges and fierce rivalries. The Thai people and the Kingdom of Siam reveal a rich tapestry of Khmer influence that is still alive and well in the collective memory.

In Cambodia's turbulent history, few voices carry as much weight and gravity as that of Youk Chhang. Director of the Documentation Centre of Cambodia (DC-Cam) and survivor of the Khmer Rouge genocide, he has emerged as one of the most ardent defenders of justice, memory and national sovereignty.

Plantation Phnom Penh is honoured to unveil Souvenir de Myope, the new solo exhibition by French-Italian painter and sculptor ROMA (Romain Garzonio). Comprising 21 contemporary works — 17 abstract paintings and 4 sculptures —, this exhibition invites visitors to explore memory, perception and emotion through the softened filter of myopia.

On the afternoon of 22 July 2025, the Hill Tribes Memory Community Centre organised a forum entitled ‘Listening to the Stories of Villagers’, bringing together twelve students who had participated in the Forum on the History of the Khmer Rouge a month earlier.

While the border between Cambodia and Thailand has been ablaze since 24 July 2025, forcing nearly 200,000 people onto the roads and causing more than thirty deaths in less than a week, a mobilisation of rare magnitude has gripped the Cambodian people and its diaspora.

In the current turmoil engulfing the border between Thailand and Cambodia, one name stands out, both a symbol of military history and a figure of strategy: Chakrabongse Bhuvanath. However, behind this name that resonates throughout the ranks of the army, there is no living general at the head of the army, but rather a prince from the past who has become a military icon whose ‘Chakrabongse Bhuvanath plan’ still guides Bangkok's iron fist in the face of border tensions.