Meeting with Thanet Thorn, producer at Tiny Films, on the sidelines of the CIFF 360 professional forum in Kep. Between clear-eyed awareness of the fragility of an emerging industry and an unwavering belief in the power of Khmer storytelling.

Laurine Château, co-founder and CEO of UMAMI, represents a new generation of entrepreneurs combining hands-on experience, social impact, and an international outlook. Based in Phnom Penh after studying business and completing a master’s degree in Japan, she dedicates her energy to reducing food waste in the restaurant and hospitality sectors while creating opportunities for local businesses and city residents.

There is something almost poetic in the idea that the solution to one of the greatest environmental catastrophes of our time could grow at a rate of one meter per day in the forests of Asia. Bamboo, a millennia-old plant, a material of civilizations, is now at the heart of a scientific discovery that is shaking the petrochemical giants and offering hope in the face of the plastic plague.

With Beneath the Sea, presented in Kep as part of CIIF 360 and Art for Kep, director Vinay Bharadwaj delivers a film that is both aesthetic and committed, conceived to celebrate the beauty of the coastline while raising awareness about the fragility of the marine world.

A gallery owner, artistic director, and man of action, Lyvann LOEUK embodies a unique and deeply human vision of what civic engagement can be within the French community in Cambodia.

Actress, producer, activist — meeting with an essential voice of Cambodian cinema: Sarita Reth. A familiar face on Khmer screens, she today embodies a new generation of professionals who no longer content themselves with playing the game, but intend to rewrite the rules. In front of the camera as much as behind it, on stage as much as in industry forums, Sarita carries a rare demand: that of a Cambodian cinema finally structured, fair, and recognized at its true value on the

On the occasion of the elections of Councillors for French Citizens Abroad, we interviewed Matthias Vazquez, candidate for the Cambodia constituency. Running under the banner of the list "Relais citoyen des Français du Cambodge," he presents his motivations, the challenges he intends to address, and his vision of a mandate that is accessible and grounded in on-the-ground realities.

On the occasion of the launch of the Destination Éco Talents project, led by the Organisation internationale de la Francophonie (OIF), Edgar Doerig, head of the OIF’s Asia‑Pacific office, detailed to us at the end of 2025 the ambitions of an initiative that intends to transform the face of tourism in the region, a few months before the 20th Summit of the Francophonie scheduled to take place in Cambodia.

Scénariste, réalisatrice, proScreenwriter, director, producer — this Cambodian filmmaker has been weaving a singular body of work for nearly twenty years, between metaphorical silences and hard-won freedoms. Portrait of a voice that matters.

Photographer based in Phnom Penh for more than ten years, Antoine Raab presented last night a slideshow of his portraits made for the Cambodia International Film Festival on the occasion of CIFF 360, the festival’s decentralized edition which is setting up for the second time in Kep. Portrait of an artist who navigates lucidly through a sector in deep transformation.

Cédric Eloy, director of the Cambodia International Film Festival, has made it his mission to take cinema beyond Phnom Penh's air-conditioned screening rooms and bring it to places where stories hit differently. We met him in Kep, by the sea, for the second edition of CIFF 360.

Thursday afternoon, around fifty spectators gathered at Kep West, in the premises of the former Sailin Club, as part of CIFF 360 for a rare and precious screening: The Time to Cry (Pel Del Trov Zum), directed by Uong Kan Thouk, one of the pioneering figures of Cambodian cinema in the 1970s.

From the Flooded Plains of Cambodia to the Straits of Malacca, civilizations of unsuspected grandeur built the first states of Southeast Asia—and changed the course of human history forever.

Cambodia will celebrate the 72nd birthday of His Majesty Preah Bat Samdech Preah Boromneath Norodom Sihamoni, son of the late King Father Norodom Sihanouk and Queen Norodom Monineath, on Wednesday, May 14.

CIFF 360 — Kampot & Kep, May 13–17, 2026. The evening breeze drifted gently over the Kampot river as the first silhouettes began settling onto the beach, not far from the old colonial bridge. No darkened theatre, no cushioned seats — just the Cambodian sky, the murmur of the water, and a screen stretched out to face History.

The construction of huts for Kreung minority teenage girls, so they can have sexual relations before marriage, has long been rooted in this minority's culture. But it seems this custom now belongs almost entirely to the past.

There is, in certain programming choices, something that resembles a manifesto. Opening an international film festival not with an entertainment film, not with a light comedy or a universal drama, but with Meeting with Pol Pot—this sets a demand from the outset. That of a cinema that questions, that disturbs, that refuses the ease of the gaze.

Until 1979, Anlong Veng was essentially a sleepy village with little historical significance. After 1979, and especially after 1989, when Vietnamese forces withdrew from Cambodia, the region surrounding Anlong Veng became a stronghold of the Khmer Rouge...

For a few years now, the Cambodian cultural scene has been evolving rapidly, driven by a new generation of independent actors, creative spaces, and international initiatives.

Last Saturday, Phnom Penh pulsed to the rhythm of Europe. For one day, EuroFeast transformed the capital into a true crossroads of flavors, cultures, and encounters. Under the red umbrellas, in the soft late-afternoon light, the event offered much more than a gastronomic experience: a moment of sharing, conviviality, and collective joy. Through the lens of Cambodge Mag's young intern photographer, Sofiia Chaban, this atmosphere takes on a particularly vivid dimension.

Hundreds of guests gathered under the stars for a night of gastronomy, music, and unforgettable encounters. The great European rendezvous of Cambodia once again exceeded all expectations.

A Franco-Cambodian Director, a Little Girl Torn Between Two Cultures, and the Tale as the Only Thread Capable of Linking the Living to the Departed. Rotha Etienne Moeng signs a cinematic project as intimate as it is universal.

This summer, a man will lace up his sneakers and embark on an extraordinary human and athletic adventure across all of Southeast Asia. His name: Steven Kittirath. His project: the Sabaïdi Run.

Tensions on the Thai border, global trade crisis linked to Gulf conflicts, Europe's demographic aging, cultural diplomacy through opera… Prince Sisowath Ravivaddhana Monipong, ambassador of the Royal House of Cambodia and pioneer of lyric opera in Southeast Asia, gave a wide-ranging interview to journalist Luigi Galluzzo on TGCOM24. A conversation where geopolitics and musical passion converge with rare elegance.